My father passed with his penny letters
Through closes opening and shutting like legends
When barbarous with gulls
Hamnavoe’s morning broke
On the salt and tar steps.
* From "Hamnavoe" by George Mackay Brown
George Mackay Brown holds a very sweet place in my heart, though I was never fortunate enough to meet the man.
My first awareness of him was in about 2001. I was researching Orkney for a book I hoped to write, and George kept popping up.
I stumbled across his Under Brinkie's Brae from my home in America. Entranced by everyday life in Orkney as George described it, I devoured his writings.
From the beginning, "under Brinkie's Brae" was almost a magical incantation to me.
It seemed to hold the power to whisk me away from the pressing cares of that day into a simpler kind of life.
To read our story, go to this page.
Okay, so it was pure romanticism.
And yet, many years later ... here I am, literally living under Brinkie's Brae.
Maybe there was a little magic in George's words, after all.
Read on to discover Orkney's skald.
~ Used by kind permission of the author ~
In 1921, in a little house at the top of Pinnie’s Close leading to Clouston’s Pier, was born George Mackay Brown, the last of the six children of John Brown, tailor and postman, and his wife Mhairi Mackay. (Mhairi, from the Gaeldom of Sutherland, had come to work in Mackay’s Stromness Hotel.)
George enjoyed an idyllic childhood:
"The first house I remember was in a sea-close just off the main street of Stromness.
There, on the pier, fishermen worked at their lines and lobster-creels … The little town was full of shops in the 1920s, some of them sweetie-shops kept by old women.
These were places of delight … I [was] as wild a boy as any … we all went free as birds between the hills and the piers.
I was particularly good at football and I revelled in it." *
Along with his friends George devoured the comics of D. C. Thomson – Wizard, Rover, Hotspur and others, and was from the age of twelve a dedicated smoker.
He found school constrictive and boring, but there were gleams of promise:
"Composition was a subject dreaded by most of the pupils. To me, writing came effortlessly … I really couldn’t understand it when week after week our teacher said, 'George Brown has written the best composition again'."
George grew to enjoy the works of Shakespeare and the poems of Keats and Shelley.
In his ’teens he suffered a severe attack of measles that weakened his constitution, and at the age of nineteen he was diagnosed with tuberculosis.
During his time as a patient in the sanatorium in Kirkwall he wrote poems, articles and book reviews for The Orkney Herald.
He read deeply in Orkney history, in particular the Viking sagas, on which he honed his literary style.
On regaining his strength George continued to write –
and discovered the joys and sorrows of alcohol:
"The first few glasses of beer were a revelation; they flushed my veins with happiness; they washed away all cares and shyness and worries … over the years it has brought me happiness, laughter, and misery of mind and body."
In the bar George found himself among ‘characters’ who filled him with delight:
"Drink unlocked their tongues and made poets of them … Every day I was one of the chorus in the pub. I didn’t like darts or dominoes, only the beer and the stories and the laughter."
George’s exceptional literary gift was noted by Orkney’s director of adult education, Alex Doloughan, who in 1951 persuaded him to apply for entry to the adult education college Newbattle Abbey, near Edinburgh.
George was accepted.
The warden of the college, the Orkney-born poet Edwin Muir, thought so highly of his poems that he passed them on to the Hogarth Press, and they were published in the volume Loaves and Fishes.
(See more about Orkney's poet Edwin Muir and his lost island paradise here.)
Still dogged by tuberculosis George then spent six years at Edinburgh University, achieving an honours degree in English and two years of post-graduate study.
He became part of the scene in the Rose Street pubs frequented by the Scottish literati.
Also, after long consideration, he converted to the Catholic faith.
George returned to live in Stromness and maintained the discipline of writing, his sole means of income.
Modestly describing himself as ‘a wordsmith’ on a par with other trades and crafts, he celebrated the lives of the farmers and fishermen – providers of the ‘loaves and fishes’ on which all depend for survival.
Stromness – ‘Hamnavoe’ – was a rich source for the writer.
George’s reputation received a major boost in 1970 when three stories from A Calendar of Love were televised by the BBC.
Poems and stories and novels flowed from his kitchen table at Mayburn Court, many to be translated for enjoyment around the world. His novel Beside the Ocean of Time was short-listed in 1994 for the Booker Prize.
Widely regarded as one of Scotland’s finest writers of the 20th century, by his death in 1996 George had published more than fifty works, including poetry and plays, novels, short stories, essays and children’s books.
An autobiography, For the Islands I Sing, was published after his death.
He was buried beside his parents in the Warbeth kirkyard, where his gravestone is inscribed in his own words:
‘Carve the runes, then be content with silence’.
* George Mackay Brown, For the Islands I Sing.
* Find out more about the Orkney Library & Archive, the wonderful source of many old Orkney photographs and other information.
If you visit Edinburgh, be sure to look up Rose Street, George's old stomping grounds.
You'll find a very special tribute to the beloved bard.
These amazing panels were designed by artist Astrid Jaekel. Discover them for yourself them on Rose Street, Edinburgh.
The video below shows more about Astrid and her inspiration for the project.
Astrid Jaekel : Rose Street Designs from arts-news on Vimeo.
George Mackay Brown became a patron of the centre shortly before he died. Tom was asked to tell Orcadian stories at the centre for the 20th anniversary, in honor of George.
It's worth a visit if you're in Edinburgh.
The Storytelling Centre is the adorable historic home of John Knox. Along with the Storytelling Centre, the building houses a delicious bookshop and a nearly-as-delicious cafe.
You'll find the George Mackay Brown Library upstairs.
The centre hosts a full roll of wondrous storytelling events and guests throughout the year.
The culmination of the year's events is the Scottish International Storytelling Festival, held in Edinburgh every year in October.
The Storytelling Centre festival runs simultaneously with our own Orkney Storytelling Festival. The Edinburgh festival runs longer, allowing the the two festivals to collaborate.
The folks in Edinburgh send Orkney a guest storyteller most years, while Tom is often asked to make a little of his storytelling magic in Edinburgh, too.
Tom Muir's Storytelling Centre profile can be found here.
You might want to pour a cup of tea and snuggle in to watch the short(ish) film to follow.
It's about friendship, music and inspiration taken from the land - in particular, Orkney's Rackwick Valley on the island of Hoy.
You'll hear George reminiscing, as well as Master of the Queen's Music, Sir Peter Maxwell Davies - "Max" to his friends.
Please enjoy "The Valley by the Sea."
For more visitors' details about the enchanting valley described in the this video, see our Rackwick Valley page.
Stromness Library has an Orkney reference room named after George Mackay Brown.
It houses a few of the poet's personal belongings along with a great collection of Orkney research materials.
You'll see several paintings of George in the library, too, and have a lovely view of the town from the GMB room window.
Directly across from Stromness Museum is the Mayburn Court top floor flat where George spent his last years.
It's marked by the blue plaque that designates places of special historical interest in Stromness.
George and his cronies used to while away many a sunny afternoon discussing important affairs of the day in this spot near the Lifeboat building at the pier.
Charles Senior originally founded Stromness Books and Prints, locally known as "Tam's" and more recently, "Sheena's."
George was Charlie's good friend. No doubt he would have spent a lot of time in our favorite wee bookshop - the best bookshop in the world, according to my daughter, Bridgett.
You'll find this bench dedicated to George outside of town.
Go past the museum and George's house. Look for the cannon on the left.
This fellowship was formed in 2006 to encourage and celebrate writing and writers in Orkney.
Along with their regular activities, the fellowship has awarded two year-long fellowships and hosted book and writing festivals.
The George Mackay Brown Fellowship boasts several distinguished patrons: Sir Andrew Motion, Stewart Conn and Liz Lochhead.
Find out more here.
A special thank you to Bryce Wilson for his help and advice, and for letting me use his words.
Mermaid image (Rhonda's pages) and storyteller image (Tom's pages), and all other illustrations except where noted are here by the courtesy of our dear friend - Stromness author, artist and historian, Bryce Wilson MBE, who owns all copyrights. Thanks, Bryce!